Blackmagic Design URSA Broadcast G2 Camera with Fujinon 8.5-170mm Lens & Zoom/Focus Control

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  • URSA Broadcast G2 Camera
  • Fujinon XA20sx8.5BRM-K3 HD Pro Lens
  • MS-01 Rear Zoom/Focus Lens Control Kit
  • 6K CMOS Sensor, Dual Native ISO
  • Fast f/1.8 Max Aperture at 8.5-113mm
  • 20x Zoom Ratio, Optical Coatings

Description

Add a full broadcast camera with servo zoom kit to your studio with this Blackmagic Design URSA Broadcast G2 Camera with Fujinon 8.5-170mm Lens & Zoom/Focus Control kit. The kit includes the URSA Broadcast G2 4K studio camera, the Fujinon XA20sx8.5BRM-K3 ENG 8.5 to 170mm servo zoom lens, and the Fujinon MS-01 semi-servo kit made up of a zoom servo demand, focus/handle grip, flexible connector cable, and manual focus module.

The URSA Broadcast G2 camera features a 6K CMOS sensor, 6K Blackmagic RAW recording, 12G-SDI input and output, genlock/timecode I/O, built-in SD and CFast 2.0 slots, XLR inputs, and both 2/3″ B4 and EF lens mounts. The 8.5 to 170mm servo zoom lens features a 20x zoom ratio, a fast f/1.8 aperture, manual focus, and optical coating. The control kit allows you to add a manual focus grip and connector equipment so you can mount the controller onto a studio handgrip.

Blackmagic Design URSA Broadcast G2 Camera

Update your broadcast studio or internet broadcast camera with a versatile 3-in-1 powerhouse using the Blackmagic Design URSA G2 Broadcast Camera. This updated G2 model features generation 5 color science and not only supports up to UHD 4K as its predecessor for production and studio work but can now be used as a 6K digital film camera that records in Blackmagic RAW format. The lens mount is compatible with 2/3″ B4 lenses, but it also includes an active EF mount adapter, allowing you to access a long line of professional cinema lenses. It allows you to apply 3D LUTs for cinema-like looks, has built-in optical ND filters, features 12G-SDI input and output, captures audio via two XLR inputs, and can record using Prores 422 and Blackmagic RAW onto CFast 2.0 or SD UHS-II cards.

The camera body is constructed with durable and lightweight magnesium, so it will hold steady in any environment. To power the camera, you can use the included 12 VDC power adapter or the preinstalled V-mount plate to utilize professional, high-capacity V-mount batteries. Also included with the camera are the URSA Mini shoulder pad, the URSA Mini top handle, a viewfinder mounting plate, and all the installation hardware and lens caps. A downloadable copy of DaVinci Resolve Studio is included, along with access to future camera software updates.

Three Cameras in One
Broadcast Production Camera
The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera, so you can locate them by feel. It also features a low-light sensor, so you get amazing images using natural light. That’s the perfect combination for broadcast news and programming.
Live Studio Camera
URSA Broadcast includes an advanced YRGB color corrector built-in and full remote camera control. You can use B4 ENG or large studio box lenses, or even change the lens mount and use any lens. Plus, the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.
Digital Cinema Camera
URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount. Use a PL mount for digital film lenses or EF for photo lenses. Plus, the high dynamic range, great low-light performance, and Blackmagic RAW means you get a true “Hollywood” quality digital film camera.
Key Features
Digital Film Quality for Broadcast
The large 6K sensor, combined with Blackmagic generation 5 color science, gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcasts. The 6K sensor features a resolution of 6144 x 3456, so it’s flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then, if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film. With 13 stops of dynamic range, you get darker blacks and brighter whites, so it’s perfect for color correction. Using digital film in broadcast is a revolution in image quality.
Low-Light Performance
The new URSA Broadcast features incredible low-light performance, so you can shoot using ambient light or even under moonlight. In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO), so it’s optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu, or remotely using the SDI remote camera control protocol.
Compatible with B4 Broadcast Lenses
The URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor. The B4 lens mount lets you use modern UHD lenses or lower-cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at a low cost. B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don’t need to constantly chase focus as you shoot. That lets you work much faster. You also get full electronic lens control to adjust focus, iris, and zoom using the camera’s controls or remotely. Plus, if you want to use alternative lenses, you can change the mount to PL, EF, and more.

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